The Ravestijn Gallery opens the new year with a solo exhibition Earth Not a Globe by Philippe Braquenier, nominated for the Louis Roederer Discovery Award 2020. Earth Not a Globe takes its name from an influential volume on one of the most extreme conspiracy theories, claiming the earth’s surface to be flat rather than spherical. Substantiated by Samuel Birley Rowbotham at the end of the nineteenth century, this theory has since brought together a large community of devotees who continue to spread the word virally today.
For this project, Philippe Braquenier cuts straight to the heart of the discursive mechanisms at work within these conspiracy theories, pinpointing and dissecting a series of ‘flat earth’ -supporting statements using his singular experience. To achieve this, he adopts the procedures used by Rowbotham’s disciples, to display the same empirical experience through images.
He thus creates ‘forensic’ evidence by manipulating, fragmenting, misappropriating, and editing, removing the images (accompanied by brief captions) from their context, which could lead us to doubt the earth’s rotation or the existence of gravity itself… were it not for a key detail: the author has left the signs and marks of his plastic intervention visible as clues of his working process.
The Ravestijn exhibition view. Courtesy The Ravestijn Gallery
By combining the codes of documentary photography and his own explicit subjectivity, he appears to take a resolutely reflective stance on his practice. In this way, both conspiracy rhetoric and the stereotypes and automatisms informing his photographer’s viewpoint are called into question. In an age of post-truth and globalized information, his work ultimately represents a critical reflection on our relationship to images and their potential power as agents of conspiracy theories.
Philippe Braquenier (b.1985, Belgium) received his BFA in photography from the HELB and has exhibited in Aperture Foundation in New York, The Venice Biennale 2018 and Foto Museum Antwerpen (FOMU) among other institutions and galleries. His work has recently been published in Wired, Wall Street International, Wallpaper, and BLOW Magazine.
The Art Gallery of New South Wales has announced Margel Hinder: Modern in Motion, the first retrospective of one of Australia’s most important and dynamic, yet underrated, modernist sculptors of the 20th century.
Audemars Piguet Contemporary is delighted to announce that Hong Kong-based multidisciplinary artist Phoebe Hui has been selected to realise the fifth Audemars Piguet Art Commission, in collaboration with Hong Kong-based independent curator Ying Kwok, who notably curated the Hong Kong Pavilion at the 57th Venice Biennale in 2017.
Anna Schwartz Gallery presents an exhibition of new works by acclaimed Australian artist Shaun Gladwell. The exhibition Homo Suburbiensis gives equal weight to, and balances, the artist’s practice of painting and moving image. Through formal and conceptual links, a dialogue is established between a single channel moving image work, and a series of paintings.