Neue Luxury is a global dialogue on luxury in the 21st century.

• Neue Luxury • Issue 1 • Architecture • Feature • BY Ray Edgar SHARE

  Autoerotic

  1111 Lincoln Road, Miami

  Rarely has a building inspired so many people to wax poetically: a “noble space”, “generator of a new architectural experience in city” and a “work of art”. And all this to describe a carpark.

• Neue Luxury • Issue 1 • Fine jewellery • Feature • BY Robert Nelson SHARE

  Julia deVille

  Julia deVille and the luxury of imagination

  The sculptures and jewellery of Julia deVille are both luxurious and forbidding. No baroque extravagance is alien to her repertoire: silver chargers with cartouches on their architectural flanges, urns with volutes and florid articulation, copious ornaments from the age of authority.

• Neue Luxury • Issue 1 • Culture,Insight • Feature • BY Neue Luxury SHARE

  Perspectives on luxury

  Neue Selects

  Ask any group of people their opinion on sport, politics, art or religion and you are bound to receive a series of didactic and passionate responses. Ask a group of people for their perspectives on luxury and you open up a conversation that will anchor somewhere between the philosophical and the tangible.

MUSIC & ART

• Neue Luxury • Issue 1 • Art • Feature • BY Rechelle Friend SHARE

  BLACK MATERIAL

  An interview with Robert Knoke

  From fashion innovators such as Rick Owens and Bernard Wilhelm to iconic musicians such as Casey Spooner, The Kills and Patti Smith, Robert Knoke is surreptitiously challenging traditional notions of portraiture through his abstract and intuitive depictions.

• Neue Luxury • Issue 1 • Art • Feature • BY Jane Devery SHARE

  Andrew Hazewinkel

  The (re)order of things: the art of Andrew Hazewinkel

  Borrowing from museological, archival and archaeological practices and fields as diverse as geology, anthropology and surrealism, Andrew Hazewinkel's largely photographic and object-based works are striking for their strange arrangements of repurposed materials that unearth unexpected associations.

• Neue Luxury • Issue 1 • Performance • Feature • BY Mieke Chew SHARE

  Phillip Adams BalletLab

  Heightening the human experience through collaboration

  Phillip Adams BalletLab is a company defined by collaboration, not because its collaborators make the work, but because the collaboration is the work. It is a site for expression and experimentation, for the unheard and the unspeakable. The company’s practice enacts a dialogue between artists, ideas, research, sound, movement, fashion and architecture.

• Neue Luxury • Issue 1 • Fashion • Feature • BY Paola Di Trocchio SHARE

  MaterialbyProduct

  A luxury goods house for the 21st century

  Susan Dimasi established luxury fashion house Materialbyproduct (MBP) in 2004 as a means to invent future systems for fashion design. These systems are shaped by the Australian context, as well as the fashion industry’s needs for smaller production runs within less physical space.

• Neue Luxury • Issue 1 • Culture • Feature • BY Neue Luxury SHARE

  YERING STATION

  Creating a platform for creative exchange

  In many ways creative collaboration has become the key to marketing and business expansion in the 21st century. The trouble is, not enough of our biggest and most capable businesses know it yet.

• Neue Luxury • Issue 1 • Fashion • Feature • BY Neue Luxury SHARE

  ORLEBAR BROWN

  An interview with Adam Brown

  Adam Brown, Founder of Orlebar Brown, is taking a more considered approach to mens swimwear. His insights into quality and the exchange of knowledge is encouraging consumers to reconsider their perspective.

• Neue Luxury • Issue 1 • Gastronomy • Feature • BY Neue Luxury SHARE

  Young Guns

  A conversation with Abel Gibson

  Rory Kent, Founder of Young Guns of Wine, spoke to Abel Gibson, the winner of the 2012 Young Gun of Wine Award, about taking risks, making luxurious wine and Mother Nature’s varied gifts

• Neue Luxury • Issue 1 • Insight • Feature • BY Karen Webster SHARE

  Stop the fashion system

  Less is more

  No other creative industry works at the speed of fashion, producing new product on a constant basis at ridiculously low prices, encouraging a disposable culture. Fashion has shifted from a historical formulaic process of two significant collections a year, to multiple delivery drops on a fast track turn around where similar styles are released across the globe simultaneously.