A major exhibition honouring the life and work of the late Aurukun artist Mavis Ngallametta (1944–2019), opened at the Queensland Art Gallery on Saturday 21 March. Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Director Chris Saines said ‘Show Me the Way to Go Home’ was the first extensive survey of Mavis Ngallametta’s work, with more than 40 paintings and sculptures of her and her adopted son Edgar Kerindun’s Country in and around Aurukun in Far North Queensland.
'An elder of the Putch clan and a cultural leader of the Wik and Kugu people of Aurukun, Mavis Ngallametta was one of the most well-regarded senior community-based artists in Australia. She made a profound contribution to arts and culture nationally before her passing last year,’ Mr Saines said. ‘This exhibition charts Mavis Ngallametta’s creative output from her earliest paintings through to works created just prior to her passing in 2019.’
‘Show Me the Way to Go Home’ has been curated by Bruce Johnson McLean QAGOMA’s former Curator of Indigenous Australian Art and the National Gallery of Australia’s inaugural Assistant Director of Indigenous Engagement with Katina Davidson, now Acting Curator of Indigenous Australian Art at QAGOMA.
Prior to commencing painting, Ngallametta was a renowned weaver and the exhibition features examples of her ghost net weaving, along with her earliest forays into acrylic painting: bold, celebratory, small-scale works depicting Country in its post-wet season abundance and swamps teaming with brightly coloured waterlilies.
The exhibition also includes extraordinary large-scale canvases depicting Ikalath, a site known for its dramatic red dirt cliffs and sacred white clay, to the north of Aurukun on the coast of the West Cape; and paintings that capture Ngallametta’s strong connection to Wutan a site west of Aurukun near the northern head of Archer Bay and the Country of her adopted son Edgar.
Also featured are Mavis Ngallametta’s painterly memories of Country around the Kendall River and Yalgamunken, the local site for collecting yellow ochre at a saltpan near Aurukun, and the Pamp (swamp) series depicting the life-filled lagoons that ring the community of Aurukun after the wet season, where crystal fresh water abounds and fish and turtles swim.
All of her paintings are about place – the stories she knew, the memories she held and the people she loved.
Bruce Johnson McLean said: ‘over the course of her career Mavis Ngallametta created works that spoke to the most important places in her life and while she was the traditional owner of many of the places she painted, in other instances her landscapes were inspired by personal, familial or cultural connections,'
‘All of her paintings are about place – the stories she knew, the memories she held and the people she loved. Each painting is about her home, and in her painting, she found a new home – somewhere she could go to remember, relive and record places, memories and loved ones.’ The exhibition continues until 2 August 2020 and is accompanied by a major publication.
The National Portrait Gallery announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.
The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) launches its 2020 program with a thematic exhibition on the centrality of water to human life globally, and major solo exhibitions celebrating contemporary artists Mavis Ngallametta, Chiharu Shiota, Gordon Bennett and William Yang.
The Biennale of Sydney has revealed details of the program for its 22nd edition, titled NIRIN. Under the artistic direction of acclaimed Indigenous Australian artist, Brook Andrew, NIRIN, is an artist- and First Nations-led endeavour, presenting an expansive exhibition of contemporary art and events that connect local communities and global networks.